Argument and Persuasion
English
5311 is a required course for the MA in Professional Writing and
Rhetoric. In this course we will examine various theories of argument
and persuasion from antiquity to the present and from a variety of standpoints
such as identity, instruction, and technology. Students look at ways
in which to analyze, evaluate, construct, and theorize about argumentative
and persuasive discourse.
Among other benefits, this course helps students expand
the horizons of their rhetorical studies, improve their ability to adapt
written arguments and persuasive discourse to differing audiences in
various contexts, as well as enable them to become a more effective
teacher of argumentative writing.
Editing
English
3358, the special topics course on editing, covers what students
need to know about precise, clean, efficient writing. The class does
not just cover grammar and style-although there will be much of that.
Students will also discuss the connections between language and meaning,
the role of editors, and issues such as sexist language. Additionally,
studentsconsider editors' concerns with document design, graphics, and
online documentation.
Although students will examine, consider, and remember
a number of "rules" for writing, one premise that the classs
will ike to start with is that language is not an exact science. Rather,
it is a fluid, constantly changing form. This course will help students
understand that form--what creates it and what changes it--and provide
stuents with a framework of knowledge they can apply to their writing
throughout their lifetime.
First-Year Writing
Research and Critical Writing
Coming soon.
Honors
The theme of Honors
English 1312 is history. This is not to say that students memorize
facts and names; there will be no quizzes on the dates of the Italian
Renaissance or the names of Civil War heroes. Rather, students consider
and examine the ways in which history is rhetorical--the ways in which
it is constructed, analyzed, revised, and forgotten. Some areas of consideration
include autobiographical texts, visual presentations of the past, and
revisionist history. By the end of the semester, students appreciate
how much of history is caught up in everyday writing problems such as
research, invention, bias, style, argumentation, and revision. Writing
projects include close analyses of essays authors such as Gloria Anzaldua,
Mary Louise Pratt, and Patricia Limerick; examinations of ways history
is created in high art and popular culture; and the creation of personal
histories.
Writing about Literature
Coming soon.
Rhetorical Theory
Coming soon.
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